Revised Sequence p
2013
125 ¼ x 42 ⅝ x 24 in./8 x 36 x 2 ¼ in.
carpet, glass, tape, plywood, text messages, embroidery thread, an imperfect and incomplete walnut box with hand-cut dovetail joints, an unopened letter from my mother, $50 savings bond, satin, books, painted douglas fir, concrete, embroideries, potted aloe plant, Herman Miller Eames Wire Base Low Table, archival inkjet prints, hair, note, wood pyramid, seeds, inspiration book, iPad, Wissahickon Schist, white oak, newspaper, cat vomit/hairball, shim, book review, economics term on paper, Oball, embroidery thread swatch book, painted pine/two-way mirror, neon, light
Installation view, Liminal Sites, The Galleries at Moore, Moore College of Art and Design, Philadelphia, PA, 2013
Revised Sequence
2013
125 ¼ x 42 ⅝ x 24 in./8 x 36 x 2 ¼ in.
carpet, glass, tape, plywood, text messages, embroidery thread, an imperfect and incomplete walnut box with hand-cut dovetail joints, an unopened letter from my mother, $50 savings bond, satin, books, painted douglas fir, concrete, embroideries, potted aloe plant, Herman Miller Eames Wire Base Low Table, archival inkjet prints, hair, note, wood pyramid, seeds, inspiration book, iPad, Wissahickon Schist, white oak, newspaper, cat vomit/hairball, shim, book review, economics term on paper, Oball, embroidery thread swatch book, painted pine/two-way mirror, neon, light
Revised Sequence
2013
125 ¼ x 42 ⅝ x 24 in./8 x 36 x 2 ¼ in.
carpet, glass, tape, plywood, text messages, embroidery thread, an imperfect and incomplete walnut box with hand-cut dovetail joints, an unopened letter from my mother, $50 savings bond, satin, books, painted douglas fir, concrete, embroideries, potted aloe plant, Herman Miller Eames Wire Base Low Table, archival inkjet prints, hair, note, wood pyramid, seeds, inspiration book, iPad, Wissahickon Schist, white oak, newspaper, cat vomit/hairball, shim, book review, economics term on paper, Oball, embroidery thread swatch book, painted pine/two-way mirror, neon, light
Revised Sequence
2013
125 ¼ x 42 ⅝ x 24 in./8 x 36 x 2 ¼ in.
carpet, glass, tape, plywood, text messages, embroidery thread, an imperfect and incomplete walnut box with hand-cut dovetail joints, an unopened letter from my mother, $50 savings bond, satin, books, painted douglas fir, concrete, embroideries, potted aloe plant, Herman Miller Eames Wire Base Low Table, archival inkjet prints, hair, note, wood pyramid, seeds, inspiration book, iPad, Wissahickon Schist, white oak, newspaper, cat vomit/hairball, shim, book review, economics term on paper, Oball, embroidery thread swatch book, painted pine/two-way mirror, neon, light
Revised Sequence
2013
125 ¼ x 42 ⅝ x 24 in./8 x 36 x 2 ¼ in.
carpet, glass, tape, plywood, text messages, embroidery thread, an imperfect and incomplete walnut box with hand-cut dovetail joints, an unopened letter from my mother, $50 savings bond, satin, books, painted douglas fir, concrete, embroideries, potted aloe plant, Herman Miller Eames Wire Base Low Table, archival inkjet prints, hair, note, wood pyramid, seeds, inspiration book, iPad, Wissahickon Schist, white oak, newspaper, cat vomit/hairball, shim, book review, economics term on paper, Oball, embroidery thread swatch book, painted pine/two-way mirror, neon, light
Installation view, Liminal Sites, The Galleries at Moore, Moore College of Art and Design, Philadelphia, PA, 2013